Artists Lucie and Simon have taken the world’s most familiar and populous cities and removed all but one or two people to create the illusion of a lonely world.

[C]ities are valuale because they facilitate human interactions, as people crammed into a few square miles exchange ideas and start collaborations. “If you ask people why they move to the city, they always give the same reasons,” West says. “They’ve come to get a job or follow their friends or to be at the center of a scene. That’s why we pay the high rent. Cities are all about the people, not the infrastructure.”

West also examines the differences between the groupings of people who make up cities and the groupings of people who make up companies.

For West, the impermanence of the corporation illuminates the real strength of the metropolis. Unlike companies, which are managed in a top-down fashion by a team of highly paid executives, cities are unruly places, largely immune to the desires of politicians and planners. “Think about how powerless a mayor is,” West says. “They can’t tell people where to live or what to do or who to talk to. Cities can’t be managed, and that’s what keeps them so vibrant. They’re just these insane masses of people, bumping into each other and maybe sharing an idea or two. It’s the freedom of the city that keeps it […]

This story was published in the New York Times Magazine a while ago now, but it still answers some interesting questions about the draw and efficiencies of cities.

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